Oral Communication IN Context: Course Outcome 1
Oral Communication IN Context: Course Outcome 1
(ENGLISH)
SCHOOL YEAR 2020 - 2021
ORAL
COMMUNICATION IN
CONTEXT
ENG01
Course Outcome 1
ENG01 | CORE | CO 1
ENG01 | Oral Communication in Context
NAME: TEACHER:
YEAR AND SECTION: SCHEDULE:
“The transmission of messages via verbal and non-verbal cues” (Ang, 2004)
“It is dynamic, systematic or contextual, irreversible and proactive process in which
communicators construct personal meanings through their symbolic interactions”
(Wood, 2004)
“It is the mutual exchange of information, ideas and understanding by any effective means”
(Flormata-Ballesteros, 2003)
2
ENG01 | CORE | CO 1
1.1. Process, System, Symbol, and Meaning
The term communication may be defined using these four key words: process, system,
symbol, and meaning.
Process refers to something that is ongoing and continuously in motion, the beginnings and
endings of which are difficult to identify.
A system is a group of interrelated elements that affect one another.
A symbol is an arbitrary, ambiguous, and abstract representation of a phenomenon. Symbols
are the basis of language, much nonverbal behavior, and human thought.
Meanings are the significance we bestow on phenomena—what they signify to us. There are
two levels of meanings: the content level of meaning is the literal, or denotative, information
in a message, while relationship level of meaning expresses the relationship between
communicators.
Key Takeaway
In summary, communication is a systemic process in which people interact with and through
symbols to create and interpret meanings.
Verbal Communication, also known as Linguistic Aspect, makes use of words to share
information with other people. It may be oral or written, formal or informal. The verbal
element of communication is all about the words that you choose and how they are heard
and interpreted.
A. Kinesics
Kinesics is body position and body motions, including those of the face. Our bodies express a
great deal about how we see ourselves. How we position ourselves relative to others may
express our feelings toward them. Our faces are intricate messengers. With our faces, we
can indicate disapproval (scowls), and doubt (raised eyebrows). The face is particularly
powerful in conveying responsiveness and liking (Gueguen & De Gail, 2003)
B. Oculesics
Our eyes communicate some of the most important and complex messages about how we
feel. If you watch infants, you will notice that they focus on others’ eyes. As adults, we often
look at eyes to judge emotions, honesty, interest, and self- confidence. Among Westerners,
eye contact tends to increase feelings of closeness.
C. Paralanguage
Paralanguage is vocal communication that does not involve words. It includes sounds, such
as murmurs and gasps, and vocal qualities, such as volume, rhythm, pitch, and inflection. Our
voices are versatile instruments that tell others how to interpret us and what we say. Vocal
cues signal others to interpret what we say as a joke, threat, statement of fact, question, and
so forth. Vocal cues also express irritation. Effective public speakers know how to modulate
inflection, volume, and rhythm to enhance their verbal messages. We use our voices to
communicate feelings. Whispering, for instance, often signals secrecy, and shouting conveys
anger. Depending on the context, sighing may communicate empathy, boredom, or
contentment
D. Proxemics
Proxemics is space and how we use it. Every culture has norms for using space and for how
close people should be to one another (Samovar et al., 2015). Space also signals status;
greater
space is assumed by those of higher status. The prerogative of entering someone else’s
personal space is also linked to power; those with greater power are most likely to trespass
into others’ territory.
E. Artifacts
Artifacts are personal objects with which we announce our identities and personalize our
environments. We craft our image by how we dress, the jewelry we wear, and the objects
we carry and use. We also use artifacts to define settings and personal territories.
F. Chronemics
Chronemics is how we perceive and use time to define identities and interaction. Important
people with high status can keep others waiting. It also expresses cultural attitudes toward
time. Moreover, the amount of time we spend with different people reflects our priorities.
Effective verbal communication cannot be fully isolated from non-verbal communication
(body language, tone of voice, facial expression etc.).
G. Tactilics/Haptics
Haptics is physical touch. Touch is the first of our senses to develop and touching and being
touched are essential to a healthy life (Whitman, White, O’Mara, & Goeke-Morey, 1999).
Touching also communicates power and status. Cultural views of women as more touchable
than men are reflected in gendered patterns. Women tend to touch others to show liking
and intimacy, whereas men more typically rely on touch to assert power and control (Jhally
& Katz, 2001).
Guidelines for Effective Non-Verbal Communication
The following guidelines can help improve the likelihood that your nonverbal messages will be
perceived accurately and that you will accurately interpret the non- verbal messages of others:
Sending Non-Verbal Messages
1. Consciously monitor your nonverbal messages.
Try to be more consciously aware of the nonverbal messages you send through your use
of body, voice, space, time, and appearance. If you have difficulty doing this, ask a friend
to point them out to you.
2. Intentionally align your nonverbal messages with your purpose.
When non- verbal messages contradict verbal messages, people are more likely to
believe the nonverbal messages, so it is important align your nonverbal messages with
your purpose. If you want to be persuasive, use direct eye contact, a serious facial
expression, an upright posture, a commanding vocal tone with no vocalized pauses, and
professional clothing and grooming. If you want to be supportive and convey empathy,
you might use
less direct eye contact, a more relaxed facial expression, a softer voice, a nonthreatening
touch, and a lean inward toward your partner.
3. Adapt your nonverbal messages to the situation.
Just as you make language choices to suit different situations, so should you do so with
nonverbal messages. Assess what the situation calls for in terms of use of body, voice,
space, time, and appearance. For example, you would not dress the same way for a
wedding as you would for a workout.
4. Reduce or eliminate distracting nonverbal messages.
Fidgeting, tapping your fingers on a table, pacing, mumbling, using lots of pauses, and
checking your phone often for texts and e-mails can distract others from the message
you are trying to convey. Make a conscious effort to learn what distracting nonverbal
messages have become habitual for you and work to eliminate them from your
communication with others.
The communication process refers to a complex set of three different and interrelated
activities intended to result in shared meaning.
The following are the definitions of the elements of communication:
• The sender is the source of information or encoder of the message
• The receiver is the the recipient of the message, or someone who decodes the
message
• The message refers to the information, ideas, or thoughts conveyed by the speaker in
words or in actions.
• Channel refers to the medium or the means, such as personal or non-personal, verbal
or non-verbal, in which the encoded message is conveyed
• Feedback is the reactions, responses, or information provided by the receiver
Researchers and scholars in the field of communication have studied and developed different
models that show the different understandings of the communication process.
One of the first models (Laswell, 1948) described communication as a linear, or one-way,
process in which one person acted on another person. This model consisted of five questions
that described early views of how communication worked:
Who?
Says what?
In what channel?
To whom?
With what effect?
A year later, Shannon and Weaver (1949) advanced a model that included noise, which is
anything that can interfere with the intended message. The figure below shows two versions of
the Shannon and Weaver’s model. Although linear models were useful starting points, they
were too simple to capture the complexity of most kinds of human communication.
Noise is anything that interferes with the intended meaning of communication; includes
sounds (e.g., traffic) as well as psychological interferences (e.g., preoccupation).
Feedback refers to verbal or nonverbal response to a message. The concept of feedback as
applied to human communication appeared first in interactive models of communication.
4.2. Interactive Models
The major shortcoming of the early models was that they portrayed communication as flowing
in only one direction, from a sender to a receiver. The linear model suggests that a person is
only a sender or a receiver and that receivers passively absorb senders’ messages. Clearly, this
isn’t how communication occurs.
When communication theorists realized that listeners respond to senders, they added feedback
to their models. Feedback is a response to a message. Wilbur Schramm (1955) pointed out that
communicators create and interpret messages within personal fields of experience. The more
communicators’ fields of experience overlap, the better they understand each other. Adding
fields of experience to models clarifies why misunderstandings sometimes occur.
V. Intercultural Communication
Because culture has a profound impact on perception and communication, this lesson focuses
on the relationship between culture and communication. We will explain some basic concepts
of culture and several ways cultures are unique and offer some strategies for improving
intercultural communication competence.
Culture refers to the system of shared values, beliefs, attitudes, and norms that guide what is
considered appropriate among an identifiable group of people
Values are commonly accepted standards of what is considered right and wrong, good and
evil, fair and unfair, and so on
Intercultural communication refers to the interactions that occur between people of
different cultures
Culture shock is the psychological discomfort one feels when engaging in a new cultural
situation
5.1 Culture and Communication
Intercultural communication refers to the interactions that occur between people whose
cultures are so different that the communication between them is altered (Samovar, Porter, &
McDaniel, 2012). To become effective intercultural communicators, we must begin by
understanding what a culture is, then identifying how cultures differ from one another, and
finally realizing how those differences influence communication.
Because each of us is so familiar with our own customs, norms, and values, we may feel
anxious when they are disrupted. We call this psychological discomfort when engaging
in a new cultural situation culture shock (Klyukanov, 2005, p. 33). We are likely to feel
culture shock most profoundly when thrust into an unfamiliar culture through travel,
business, or studying abroad.
Culture is both transmitted and modified through communication. In Western cultures,
for example, most people eat using forks, knives, spoons, individual plates, and bowls. In
some cultures, people may eat with chop- sticks, use bread as a utensil, or use their
fingers and share a common bowl. All of these dining rituals are culturally based and
taught by one generation to the next through communication.
Communication is also the mechanism through which culture is modified. For example,
several generations ago, most American children were taught to show respect by
addressing adult family friends using a title and last name (e.g., Mr. Jones, Miss Smith).
Today, children often address adult family friends by their first names. How did this
cultural norm change? In earlier generations, adults corrected young children who
addressed an adult by his or her first name. But toward the end of the 20th century,
adults began giving children permission to use first names and, over time, the norm
changed. So communication is both the means by which culture is transmitted and the
way a culture is changed.
5.2 The Developmental Model of Intercultural Sensitivity
The developmental model of intercultural sensitivity (DMIS) was created by Dr. Milton
Bennett. This model was created as a basic outline to explain the reactions that people
have to cultural differences.
The stages of DMIS is a continuum that ranges from ethnocentric to highly
ethnorelative (Cushner, McClelland, & Safford, 2012, p. 155).
o “Ethnocentric” may be defined as using your own set of standards and customs to
judge all people, often unconsciously. This refers to the first three stages of the model.
o “Ethnorelative” is a word coined to express the opposite of ethnocentric; it refers to a
person who is comfortable with many standards and customs and who can adapt
his/her behavior and judgments to many interpersonal settings. This refers to the last
three stages of the model.
This model is acceptable for both children and adults as they progress through cross-
cultural sensitivity.
The Six Stages of the Developmental Model of Intercultural Sensitivity
Stage 1 : Denial
Stage 2 : Defense
The individual begins to see cultural differences and is threatened by them. This strategy
occurs as a way to counter the impact of cultural differences which are perceived as
threatening. A person does this as a way of maintaining the integrity of their own
worldview.
People with a predominant experience of Defense experience cultural difference in a
polarized way –us and them. They feel “under siege” by people that they stereotype in
simplistic and negative ways, protecting themselves with a hardened boundary between
themselves and the “others.”
Typically, one’s own culture is exalted, and other cultures are denigrated with negative
stereotypes. This hierarchical view of culture may lead people to assume a kind of social
Darwinism wherein they place their own culture at the peak of development and
civilization.
A common variation is a Reversal of the two poles, so that one’s own culture is
denigrated and other cultures are uncritically lauded. While Reversal may superficially
seem to be more culturally sensitive, it is nevertheless still dualistic and overly simplistic
Stage 3 : Minimization
While individuals at this stage do acknowledge cultural differences, they see human
universals as more salient than cultural distinctions.
In this stage, people will seek to hide difference under cultural similarities. Part of
minimization is an assumption of universal characteristics shared by all humanity.
However this assumption is usually made by the dominant culture. Bennett suggests
that people tend to use their own worldview to interpret other’s behavior and that the
idea of a ‘universal truth’ is usually based on one’s own values.’ (Teaching and Learning
Unit, University of Melbourne, 2010)
The predominant experience of Minimization is that of having “arrived” at
intercultural sensitivity. The polarized experience of Defense has given way to a
recognition of the common humanity of all people regardless of culture (“We are the
world”).
The familiar cultural worldview is protected by believing that deep down we are all
alike, either physically/psychologically or spiritually/philosophically. This assumption of
similarity is then invoked to avoid recognizing one’s own cultural patterns,
understanding others, and eventually making necessary adaptations.
The assumed commonality with others is typically defined in ethnocentric terms: since
everyone is essentially like us, it is sufficient in cross-cultural situations to “just be
yourself.”
Stage 4 : Acceptance
Stage 5 : Adaptation
Stage 6 : Integration
EVALUATION
Written Work 1:
Short Quiz (Formative Assessment)
After learning all the concepts about the previous lessons, prepare for a short online quiz (30
points).
Test types:
Multiple Choice
Modified True or False
Identification
Performance Task 1:
The students are tasked to create a digital poster about the following theme:
“Move across different cultures through intercultural communication ventures.”
Guidelines:
1. You may use any platform you prefer (Canva, Adobe Photoshop, Microsoft Word, etc.) as
long as the poster is saved as a PDF file (A4 in size).
2. Submit a one-minute video of you explaining the contents and meaning of your poster.
RUBRIC
Criteria 9-10 points 6-8 points 3-5 points 1-2 points
Content The poster The poster The poster does The poster is
includes all includes most of not have all of lacking in
(Text and information the relevant the relevant elements
Images) relevant to the information; information. required.
topic. The poster however, it could Information is There are many
is creative, clear, have been better presented in an gaps in
complete and organized and unorganized information
concise. could be more fashion. presented.
creative. Some or all of the
written elements
are plagiarized.
Creativity The poster is The poster is The poster is The poster is
exceptionally very attractive. 1-2 unattractive. No
attractive. It is attractive. It is elements are element is
artistically artistically present: design, present: design,
presented. All presented. 3-4 layout, creativity layout, creativity
elements are elements are and additional and additional
present: design, present: design, items. items.
layout, creativity layout, creativity
and additional and additional
items. items.
Presentation The student The student The information Not enough
presents the presented the presented is not preparation was
information information fairly clearly displayed done for the
clearly and clearly and throughout the presentation, it
displays a displays a project. therefore lacks
complete reasonable Some of the many elements of
understanding of understanding of presentation was what is expected.
their information. their information. read. Most of the
It is evident that presentation was
the student is read.
well prepared.
Verdeber, K., Sellnow, D., & Verdeber, R. (2017). Communicate! Boston, MA: Cengage Learning.