Commentary

Part horror noir, part murder-mystery, part small town comedy, this comic book adaptation raises the dead in genre-mashing style. 

25 years ago, an animated spinoff of Kevin Smith's cult classic "Clerks" (barely) aired on ABC. It remains the best thing he's ever made.

John Mulaney finally faced off with three teenagers in the season finale of his Netflix talk show.

Cannes: The Palme is once again Neon's to lose, as the company reps top contenders "Sentimental Value," "It Was Just an Accident," "Sirât," and "The Secret Agent."

The rise of a post-hijab aesthetic and rejections of linear narratives and techniques have given way to a new Iranian underground cinema. Here's a deep dive into its evolution.

Want to grip, gaff, or even direct one day? First, learn the language.

"Andor" is about regular people rising up against an evil government, no Jedi-wielded weapons required. That's not only a first for live-action "Star Wars" properties, it may also hold the key to what fans really want to see from this franchise.

"Fear, Anxiety & Depression" was a critical and financial bomb in 1989, and its director disowned it. But 36 years later, it's a hilarious time capsule in need of a streaming and physical media release.

The President's threat of a "100% tariff" on films from "foreign lands" may be idle or real, but it lit a fire under the realistic initiatives that can bring production back to the U.S.

Richard Attenborough's epic's reputation has taken a hit in recent years, but a new 4K UHD release reveals its strengths to be more impressive than ever.

In recent years, some of the festival's best (and buzziest) films have been directed by women, a group long underserved by the festival. With the reveal of the 2025 lineup, things might be changing.

ScreenCraft, The Script Lab, The Tracking Board, and now Coverfly are closing shop, but don't despair: Build your own platform.