Portal:Cartoon

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A cartoon is a type of visual art that is typically drawn, frequently animated, in an unrealistic or semi-realistic style. The specific meaning has evolved, but the modern usage usually refers to either: an image or series of images intended for satire, caricature, or humor; or a motion picture that relies on a sequence of illustrations for its animation. Someone who creates cartoons in the first sense is called a cartoonist, and in the second sense they are usually called an animator.

The concept originated in the Middle Ages, and first described a preparatory drawing for a piece of art, such as a painting, fresco, tapestry, or stained glass window. In the 19th century, beginning in Punch magazine in 1843, cartoon came to refer – ironically at first – to humorous artworks in magazines and newspapers. Then it also was used for political cartoons and comic strips. When the medium developed, in the early 20th century, it began to refer to animated films that resembled print cartoons. (Full article...)

John Leech, *Substance and Shadow* (1843), published as *Cartoon, No. 1* in *Punch*, the first use of the word cartoon to refer to a satirical drawing

In print media, a cartoon is a drawing or series of drawings, usually humorous in intent. This usage dates from 1843, when Punch magazine applied the term to satirical drawings in its pages,^[1] particularly sketches by John Leech.^[2] The first of these parodied the preparatory cartoons for grand historical frescoes in the then-new Palace of Westminster in London.^[3]

Sir John Tenniel—illustrator of Alice's Adventures in Wonderland—joined Punch in 1850, and over 50 years contributed over two thousand cartoons.^[4]

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Sam & Max is a media franchise focusing on the fictional characters of Sam and Max, the Freelance Police. The characters, who occupy a universe that parodies American popular culture, were created by Steve Purcell in his youth, and later debuted in a 1987 comic book series. The characters have since been the subject of a graphic adventure video game developed by LucasArts, a television series produced for Fox in cooperation with Nelvana Limited, and a series of episodic adventure games developed by Telltale Games. In addition, a variety of machinima and a webcomic have been produced for the series. The characters are a pair of anthropomorphic, vigilante private investigators based in a dilapidated office block in New York City. Sam is a calculative six-foot dog wearing a suit and a fedora, while Max is a short and aggressive "hyperkinetic rabbity thing". Both enjoy solving problems and cases as maniacally as possible, often with complete disregard for the law. Driving a seemingly indestructible black-and-white 1960 DeSoto Adventurer, the pair travel to many contemporary and historical locations to fight crime, including the Moon, Ancient Egypt, the White House and the Philippines, as well as several fictitious locations. The series has been very successful despite its relatively limited amount of media and has gathered a significant fan base. However, the franchise did not gain more widespread recognition until after the 1993 release of LucasArts' Sam & Max Hit the Road, which cultivated interest in Purcell's original comics. Sam & Max Hit the Road is regarded as an exceptional adventure game and an iconic classic of computer gaming in the 1990s. Subsequent video games and the television series have also fared well with both critics and fans; critics consider the episodic video games to be the first successful application of the episodic distribution model.

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Batman (originally referred to as the Bat-Man and still sometimes as the Batman) is a DC Comics fictional superhero who first appeared in Detective Comics #27 in May 1939. He has since become, along with Superman and Spider-Man, one of the world's most recognized superheroes. Batman was co-created by artist Bob Kane and writer Bill Finger, although only Kane receives official credit for the character. Batman's secret identity is Bruce Wayne, billionaire industrialist, playboy, and philanthropist. Witnessing the murder of his parents as a child leads him to train himself to the peak of physical and intellectual perfection, don a costume, and fight crime. Unlike most superheroes, he does not possess any superhuman powers or abilities; he makes use of intellect, detective skills, technology, and physical prowess in his war on crime.

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...that publication of comics in Hungary largely stopped during World War II due to Nazi pressure?

...that while Al Jaffee created the comics character Ziggy Pig, it was Stan Lee who named him?

...that Friz Freleng's 1937 cartoon Clean Pastures narrowly evaded Hollywood Production Code censors, before being removed from distribution by United Artists in 1968?

...that pixel artists are featured in an annual juried art show, "Into the Pixel", at the E3 trade show for computer and video game industries?

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There were 61 episodes of Avatar: The Last Airbender, an Emmy Award-winning American animated television series written and created by Michael Dante DiMartino (pictured) and Bryan Konietzko. It first aired on February 21, 2005 with a one-hour series premiere and concluded its run with a two-hour TV movie on July 19, 2008. The Avatar franchise refers to each season as a "Book", in which each episode is referred to as a "chapter". Each "Book" takes its name from one of the elements that the protagonist must master: Water, Earth, and Fire. The show's first two seasons each consisted of 20 episodes, while the third season had 21. In addition to the three seasons, there were two recap episodes and three "shorts". The first recap summarized the first eighteen episodes while the second summarized season two. The first self-parody was released via an online flash game. The second and third were released with the Complete Second Season Box Set DVD. The entire series has been released on DVD in both Region One and Region Two.

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Image 1Davy Jones' Locker, 1892 Punch cartoon by Sir John Tenniel (from Cartoon)
Image 2Thomas Nast depicts the Tweed Ring: "Who stole the people's money?" / "'Twas him." (from Political cartoon)
Image 3Stop-motion animated character from 20 Million Miles to Earth (1957) (from Animator)
Image 4An editorial cartoon of Andrew Johnson and Abraham Lincoln, 1865, entitled The Rail Splitter at Work Repairing the Union. The caption reads: (Johnson): "Take it quietly Uncle Abe and I will draw it closer than ever." (Lincoln): "A few more stitches Andy and the good old Union will be mended." (from Political cartoon)
Image 51899 cartoon showing Uncle Sam lecturing four children labeled Philippines, Hawaii, Puerto Rico, and Cuba. The caption reads: "School Begins. Uncle Sam (to his new class in Civilization)!" (from Political cartoon)
Image 6Nast depicts the Tweed Ring: "Who stole the people's money?" / "'Twas him."
Image 71942 political cartoon by Dr. Seuss (from Political cartoon)
Image 8James Gillray's The Plumb-pudding in Danger (1805). The world being carved up into spheres of influence between Pitt and Napoleon. According to Martin Rowson, it is "probably the most famous political cartoon of all time—it has been stolen over and over and over again by cartoonists ever since." (from Political cartoon)
Image 9Benjamin Franklin's Join, or Die (May 9, 1754), credited as the first cartoon published in an American newspaper (from Cartoonist)
Image 101903 political cartoon. The U.S.'s intentions to influence the area (especially the Panama Canal construction and control) led to the separation of Panama from Colombia. (from Political cartoon)
Image 11John Leech, Substance and Shadow (1843), published as Cartoon, No. 1 in Punch, the first use of the word cartoon to refer to a satirical drawing (from Cartoon)
Image 12A Rake's Progress, Plate 8, 1735, and retouched by William Hogarth in 1763 by adding the Britannia emblem (from Political cartoon)
Image 13Example of a modern cartoon. The text was excerpted by cartoonist Greg Williams from the Wikipedia article on Dr. Seuss.
Image 14U.S. President Theodore Roosevelt introduces Taft as his crown prince: Puck magazine cover, 1906. (from Political cartoon)
Image 15An animated cartoon horse, drawn by rotoscoping from Eadweard Muybridge's 19th-century photos

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Alfonso "Al" Williamson (March 21, 1931 – June 12, 2010) was an American cartoonist, comic book artist and illustrator specializing in adventure, Western and science-fiction/fantasy. Born in New York City, he spent much of his early childhood in Bogotá, Colombia before moving back to the United States at the age of 12. In his youth, Williamson developed an interest in comic strips, particularly Alex Raymond's Flash Gordon. He took art classes at Burne Hogarth's Cartoonists and Illustrators School, there befriending future cartoonists Wally Wood and Roy Krenkel, who introduced him to the work of illustrators who had influenced adventure strips. Before long, he was working professionally in the comics industry. His most notable works include his science-fiction/heroic fantasy art for EC Comics in the 1950s, on titles including Weird Science and Weird Fantasy. In the 1960s, he gained recognition for continuing Raymond's illustrative tradition with his work on the Flash Gordon comic-book series, and was a seminal contributor to the Warren Publishing's black-and-white horror comics magazines Creepy and Eerie. Williamson spent most of the 1970s working on his own credited strip, another Raymond creation, Secret Agent X-9. The following decade, he became known for his work adapting Star Wars films to comic books and newspaper strips. From the mid-1980s to 2003, he was primarily active as an inker, mainly on Marvel Comics superhero titles starring such characters as Daredevil, Spider-Man, and Spider-Girl.

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Main projects: Arts • Animation • Comics • Entertainment • Visual arts

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Related Projects: Anime and manga • Biography • Film • Fictional characters • Media franchises • Music • Television • Video games

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A good film is one that requires the viewer to create, through an orchestration of impressions, the meaning of its events. It is, in the end, our ability to create meaning out of the raw experience of life that makes us human. It is the exercise of our faculty to discover meaning which is the purpose of art. The didactic imparting of moral or political messages is emphatically not the purpose of art -- that is what we call propaganda.

— Peter Chung, Korean animator, series creator of Æon Flux

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