The_History_of_Manga_Article
The_History_of_Manga_Article
Culture
Abstract
Manga, the highly stylized Japanese comic art form, is both a cultural product and a cultural force. Its
influence spans centuries, from the picture scrolls of the Heian period to a multibillion-dollar global
industry. This article traces the history of manga across distinct historical epochs, examining its artistic,
cultural, and political transformations.
1. Introduction
Manga (manga) is not simply a comic book; it is a cultural artifact, a storytelling medium, and a
reflection of societal values and anxieties. In Japan, manga is omnipresent - from serialized magazines
and train advertisements to educational materials and government propaganda. Internationally, manga
has become a significant component of global pop culture, influencing art, cinema, fashion, and
literature.
Manga's roots can be traced to the emaki (picture scrolls) of the 12th and 13th centuries. One of the
most famous examples is the Ch■j■-jinbutsu-giga, Scrolls of Frolicking Animals and Humans. During
the Edo period, woodblock prints and kiby■shi evolved the visual narrative tradition.
The Meiji era brought Western cartoons and modern printing. Artists like Kitazawa Rakuten pioneered
newspaper comics blending satire and modern themes. In the pre-war period, manga also became
nationalistic, used as propaganda during Japan's militarist expansion.
Osamu Tezuka's innovations in panel layout and storytelling structure led to serialized, novelistic
manga. Astro Boy and Princess Knight are hallmark series. This era saw the birth of shonen and shojo
genres, serialized in mass magazines like Shonen Magazine.
Sailor Moon, Dragon Ball, and Pokemon helped globalize manga. American and European publishers
began localizing Japanese works, leading to mainstream international fandoms.
Digital tools allowed self-publishing and independent discovery. Titles like One Punch Man began
online. Subscription services and mobile apps have expanded reach and reader access.
Manga generates billions in revenue and drives the anime and game sectors. Weekly magazines test
stories before collected volumes and anime adaptation.
Manga supports education, promotes public awareness, and encourages youth identity exploration.
Genres such as yaoi and yuri created spaces for alternative expressions of gender and sexuality.
10. Conclusion
Manga continues to be a living record of cultural evolution, bridging traditional Japanese storytelling
with global innovation and interaction.
References
Aoki, D. (2020). Understanding Japanese Popular Culture. Routledge. Brienza, C. (2016). Manga in
America. Bloomsbury. Gravett, P. (2004). Manga: Sixty Years of Japanese Comics. Laurence King. Ito,
K. (2005). A history of manga. Journal of Popular Culture, 38(3), 456-475. Schodt, F. (1983). Manga!
Manga! Kodansha International. Toku, M. (2007). Shojo manga. Mechademia, 2, 19-32. Welker, J.
(2015). Queer Transfigurations. University of Hawai'i Press.