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Who Rules America?

The Alien Grip on Our News and Entertainment Media Must Be Broken

By the Research Staff of National Vanguard Books

P.O. Box 330 · Hillsboro · West Virginia 24946 · USA

THERE IS NO GREATER POWER in the world today than that wielded by the manipulators of public opinion in America. No king or pope of
old, no conquering general or high priest ever disposed of a power even remotely approaching that of the few dozen men who control
America's mass media of news and entertainment.

Their power is not distant and impersonal; it reaches into every home in America, and it works its will during nearly every waking hour. It is the
power that shapes and molds the mind of virtually every citizen, young or old, rich or poor, simple or sophisticated.

The mass media form for us our image of the world and then tell us what to think about that image. Essentially everything we know—or think
we know—about events outside our own neighborhood or circle of acquaintances comes to us via our daily newspaper, our weekly news
magazine, our radio, or our television.

It is not just the heavy­handed suppression of certain news stories from our newspapers or the blatant propagandizing of history­distorting TV
"docudramas" that characterizes the opinion­manipulating techniques of the media masters. They exercise both subtlety and thoroughness in
their management of the news and the entertainment that they present to us.

For example, the way in which the news is covered: which items are emphasized and which are played down; the reporter's choice of words,
tone of voice, and facial expressions; the wording of headlines; the choice of illustrations—all of these things subliminally and yet profoundly
affect the way in which we interpret what we see or hear.

On top of this, of course, the columnists and editors remove any remaining doubt from our minds as to just what we are to think about it all.
Employing carefully developed psychological techniques, they guide our thought and opinion so that we can be in tune with the "in" crowd, the
"beautiful people," the "smart money." They let us know exactly what our attitudes should be toward various types of people and behavior by
placing those people or that behavior in the context of a TV drama or situation comedy and having the other TV characters react in the
Politically Correct way.

Molding American Minds

For example, a racially mixed couple will be respected, liked, and socially sought after by other characters, as will a "take charge" Black
scholar or businessman, or a sensitive and talented homosexual, or a poor but honest and hardworking illegal alien from Mexico. On the other
hand, a White racist—that is, any racially conscious White person who looks askance at miscegenation or at the rapidly darkening racial
situation in America—is portrayed, at best, as a despicable bigot who is reviled by the other characters, or, at worst, as a dangerous
psychopath who is fascinated by firearms and is a menace to all law­abiding citizens. The White racist "gun nut," in fact, has become a familiar
stereotype on TV shows.

The average American, of whose daily life TV­watching takes such an unhealthy portion, distinguishes between these fictional situations and
reality only with difficulty, if at all. He responds to the televised actions, statements, and attitudes of TV actors much as he does to his own
peers in real life. For all too many Americans the real world has been replaced by the false reality of the TV environment, and it is to this false
reality that his urge to conform responds. Thus, when a TV scriptwriter expresses approval of some ideas and actions through the TV
characters for whom he is writing, and disapproval of others, he exerts a powerful pressure on millions of viewers toward conformity with his
own views.

And as it is with TV entertainment, so it is also with the news, whether televised or printed. The insidious thing about this form of thought
control is that even when we realize that entertainment or news is biased, the media masters still are able to manipulate most of us. This is
because they not only slant what they present, but also they establish tacit boundaries and ground rules for the permissible spectrum of
opinion.

As an example, consider the media treatment of Middle East news. Some editors or commentators are slavishly pro­Israel in their every
utterance, while others seem nearly neutral. No one, however, dares suggest that the U.S. government is backing the wrong side in the Arab­
Jewish conflict, or that 9­11 was a result of that support. Nor does anyone dare suggest that it served Jewish interests, rather than American
interests, to send U.S. forces to cripple Iraq, Israel's principal rival in the Middle East. Thus, a spectrum of permissible opinion, from pro­Israel
to nearly neutral, is established.

Another example is the media treatment of racial issues in the United States. Some commentators seem almost dispassionate in reporting
news of racial strife, while others are emotionally partisan—with the partisanship always on the non­White side. All of the media spokesmen
without exception, however, take the position that "multiculturalism" and racial mixing are here to stay and that they are good things.

Because there are differences in degree, however, most Americans fail to realize that they are being manipulated. Even the citizen who
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complains about "managed news" falls intohttp://www.natvan.com/who­rules­america/
the trap of thinking that because he is presented with an apparent spectrumGo
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escape the thought controllers' influence by believing the editor or commentator of his choice. It's a "heads I win, tails you lose" situation. Every
point on the permissible spectrum of public opinion is acceptable to the media masters—and no impermissible fact or viewpoint is allowed any
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The control of the opinion­molding media is nearly monolithic. All of the controlled media—television, radio, newspapers, magazines, books,
motion pictures—speak with a single voice, each reinforcing the other. Despite the appearance of variety, there is no real dissent, no
alternative source of facts or ideas accessible to the great mass of people that might allow them to form opinions at odds with those of the
media masters. They are presented with a single view of the world—a world in which every voice proclaims the equality of the races, the
inerrant nature of the Jewish "Holocaust" tale, the wickedness of attempting to halt the flood of non­White aliens pouring across our borders,
the danger of permitting citizens to keep and bear arms, the moral equivalence of all sexual orientations, and the desirability of a "pluralistic,"
cosmopolitan society rather than a homogeneous, White one. It is a view of the world designed by the media masters to suit their own ends—
and the pressure to conform to that view is overwhelming. People adapt their opinions to it, vote in accord with it, and shape their lives to fit it.

And who are these all­powerful masters of the media? As we shall see, to a very large extent they are Jews. It isn't simply a matter of the media
being controlled by profit­hungry capitalists, some of whom happen to be Jews. If that were the case, the ethnicity of the media masters would
reflect, at least approximately, the ratio of rich Gentiles to rich Jews. Despite a few prominent exceptions, the preponderance of Jews in the
media is so overwhelming that we are obliged to assume that it is due to more than mere happenstance.

Electronic News & Entertainment Media

Continuing government deregulation of the telecommunications industry has resulted, not in the touted increase of competition, but rather in
an accelerating wave of corporate mergers and acquisitions that have produced a handful of multi­billion­dollar media conglomerates. The
largest of these conglomerates are rapidly growing even bigger by consuming their competition, almost tripling in size during the 1990s.
Whenever you watch television, whether from a local broadcasting station or via cable or a satellite dish; whenever you see a feature film in a
theater or at home; whenever you listen to the radio or to recorded music; whenever you read a newspaper, book, or magazine—it is very
likely that the information or entertainment you receive was produced and/or distributed by one of these megamedia companies:

Time Warner. The largest media conglomerate today is Time Warner (briefly called AOL­Time Warner; the AOL was dropped from the name
when accounting practices at the AOL division were questioned by government investigators), which reached its current form when America
Online bought Time Warner for $160 billion in 2000. The combined company had revenue of $39.5 billion in 2003. The merger brought
together Steve Case, a Gentile, as chairman of AOL­Time Warner, and Gerald Levin, a Jew, as the CEO. Warner, founded by the Jewish
Warner brothers in the early part of the last century, rapidly became part of the Jewish power base in Hollywood, a fact so well­known that it is
openly admitted by Jewish authors, as is the fact that each new media acquisition becomes dominated by Jews in turn: Speaking of the initial
merger of Time, Inc. with Warner, Jewish writer Michael Wolff said in New York magazine in 2001 "since Time Inc.'s merger with Warner ten
years ago, one of the interesting transitions is that it has become a Jewish company." ("From AOL to W," New York magazine, January 29,
2001)

The third most powerful man at AOL­Time Warner, at least on paper, was Vice Chairman Ted Turner, a White Gentile. Turner had traded his
Turner Broadcasting System, which included CNN, to Time Warner in 1996 for a large block of Time Warner shares. By April 2001 Levin had
effectively fired Ted Turner, eliminating him from any real power. However, Turner remained a very large and outspoken shareholder and
member of the board of directors.

Levin overplayed his hand, and in a May 2002 showdown, he was fired by the company's board. For Ted Turner, who had lost $7 billion of his
$9 billion due to Levin's mismanagement, it was small solace. Turner remains an outsider with no control over the inner workings of the
company. Also under pressure, Steve Case resigned effective in May 2003. The board replaced both Levin and Case with a Black, Richard
Parsons. Behind Parsons the Jewish influence and power remains dominant.

AOL is the largest Internet service provider in the world, with 34 million U.S. subscribers. It is now
being used as an online platform for the Jewish content from Time Warner. Jodi Kahn and Meg
Siesfeld, both Jews, lead the Time Inc. Interactive team under executive editor Ned Desmond, a White
Gentile. All three report to Time Inc. editor­in­chief Norman Pearlstine, a Jew. Their job is to transfer
Time Warner's content to target specific segments of America Online's audience, especially women,
children, and teens.

Time Warner was already the second largest of the international media leviathans when it merged
with AOL. Time Warner's subsidiary HBO (26 million subscribers) is the nation's largest pay­TV cable
network. HBO's "competitor" Cinemax is another of Time Warner's many cable ventures.

Until the purchase in May 1998 of PolyGram by Jewish billionaire Edgar Bronfman, Jr., Warner Music
was America's largest record company, with 50 labels. Warner Music was an early promoter of
"gangsta rap." Through its involvement with Interscope Records (prior to Interscope's acquisition by
another Jewish­owned media firm), it helped to popularize a genre whose graphic lyrics explicitly urge
Blacks to commit acts of violence against Whites. Bronfman purchased Warner Music in 2004,
keeping it solidly in Jewish hands.

In addition to cable and music, Time Warner is heavily involved in the production of feature films (Warner Brothers Studio, Castle Rock
Entertainment, and New Line Cinema). Time Warner's publishing division is managed by its editor­in­chief, Norman Pearlstine, a Jew. He
controls 50 magazines including Time, Life, Sports Illustrated, and People. Book publishing ventures include Time­Life Books, Book­of­the­
Month Club, Little Brown, and many others. Time Warner also owns Shoutcast and Winamp, the very tools that most independent Internet
radio broadcasters rely on, and, as a dominant player in the Recording Industry Association of America (RIAA), was essentially "negotiating"
with itself when Internet radio music royalty rules were set that strongly favored large content providers and forced many small broadcasters
into silence. (The Register, "AOL Time Warner takes grip of net radio," 8th April 2003)

Ted Turner's Lesson: "Be very careful with whom you merge."

When Ted Turner, the Gentile media maverick, made a bid to buy CBS in 1985, there was panic in the media boardrooms across the country.
Turner had made a fortune in advertising and then built a successful cable­TV news network, CNN, with over 70 million subscribers.

Although Turner had never taken a stand contrary to Jewish interests, he was regarded by William Paley and the other Jews at CBS as
uncontrollable: a loose cannon who might at some time in the future turn against them. Furthermore, Jewish newsman Daniel Schorr, who had
worked for Turner, publicly charged that his former boss held a personal dislike for Jews.
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To block Turner's bid, CBS executives invited billionaire Jewish theater, hotel, insurance, and cigarette
magnate Laurence Tisch to362 launch a "friendly" takeover of CBS. From 1986 to 1995 Tisch was the
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Ted Turner to acquire CBS were obstructed by Gerald Levin's Time Warner, which owned nearly 20
percent of CBS stock and had veto power over major deals. But when his fellow Jew Sumner
Redstone offered to buy CBS for $34.8 billion in 1999, Levin had no objections.

Thus, despite being an innovator and garnering headlines, Turner never commanded the
"connections" necessary for being a media master. He finally decided if you can't lick 'em, join 'em,
and he sold out to Levin's Time Warner. Ted Turner summed it up:

"I've had an incredible life for the most part. I made a lot of smart moves, and I made a lot of
money. Then something happened, and I merged with Time Warner, which looked like the right
thing to do at the time. And it was good for shareholders.

"But then I lost control. I thought I would have enough moral authority to have all the influence
in the new company. If you go into business, be very careful with whom you merge.

"I thought I was buying Time Warner, but they were buying me. We had kind of a difference in
viewpoint. Then they merged with AOL, and that was a complete disaster, at least so far. I have
lost 85 percent of my wealth."

Disney. The second­largest media conglomerate today, with

2003 revenues of $27.1 billion, is the Walt Disney Company.
Its leading personality and CEO, Michael Eisner, is a Jew.

The Disney empire, headed by a man described by one

media analyst as a "control freak," includes several television
production companies (Walt Disney Television, Touchstone
Television, Buena Vista Television) and cable networks with
more than 100 million subscribers altogether. As for feature
films, the Walt Disney Motion Pictures Group includes Walt
Disney Pictures, Touchstone Pictures, Hollywood Pictures,
and Caravan Pictures. Disney also owns Miramax Films, run
by the Jewish Weinstein brothers, Bob and Harvey, who have
produced such ultra­raunchy movies as The Crying Game,
Priest, and Kids.

When the Disney Company was run by the Gentile Disney

family prior to its takeover by Eisner in 1984, it epitomized wholesome family entertainment. While it
still holds the rights to Snow White, the company under Eisner has expanded into the production of a
great deal of so­called "adult" material.

In August 1995, Eisner acquired Capital Cities/ABC, Inc., which owns the ABC television network,
which in turn owns ten TV stations outright in such big markets as New York, Chicago, Philadelphia,
Los Angeles, San Francisco, and Houston. In addition, in the United States ABC has 225 affiliated TV
stations, over 2,900 affiliated radio stations and produces over 7,200 radio programs. ABC owns 54
radio stations and operates 57 radio stations, many in major cities such as New York, Washington,
and Los Angeles. Radio Disney, part of ABC Radio Networks, provides programming targeting
children.

Sports network ESPN, an ABC cable subsidiary, is headed by President and CEO George W.
Bodenheimer, who is a Jew. The corporation also controls the Disney Channel, Toon Disney, A&E,
Lifetime Television, SOAPnet and the History Channel, with between 86 and 88 million subscribers
each. The ABC Family television network has 84 million subscribers and, in addition to broadcasting
entertainment (some of it quite raunchy for a "family" channel), is also the network outlet for Christian
Zionist TV evangelist Pat Robertson.

Although primarily a telecommunications company, ABC/Disney earns over $1 billion in publishing,

owning Walt Disney Company Book Publishing, Hyperion Books, and Miramax Books. It also owns six
daily newspapers and publishes over 20 magazines. Disney Publishing Worldwide publishes books
and magazines in 55 languages in 74 countries, reaching more than 100 million readers each month

On the Internet, Disney runs Buena Vista Internet Group, ABC Internet Group, ABC.com, ABCNEWS.com, Oscar.com, Mr. Showbiz, Disney
Online, Disney's Daily Blast, Disney.com, Family.com, ESPN Internet Group, ESPN.sportzone.com, Soccernet.com, NFL.com, NBA.com,
Infoseek (partial ownership), and Disney Interactive.

Viacom. Number three on the list, with 2003 revenues of just over $26.5 billion, is Viacom, Inc., headed by Sumner Redstone (born Murray
Rothstein), a Jew. Melvin A. Karmazin, another Jew, was number two at Viacom until June 2004, holding the positions of president and chief
operating officer. Karmazin remains a large Viacom shareholder. Replacing Karmazin as co­presidents and co­COOs are a Jew, Leslie
Moonves, and Tom Freston, a possible Jew. (We have been unable to confirm Freston's Jewish ancestry; he has done work for Jewish
organizations and was involved in the garment trade, a heavily Jewish industry, importing clothing from the Third World to the U.S. in the
1970s.)

Viacom produces and distributes TV programs for the three largest networks, owns 39 television stations outright with another 200 affiliates in
its wholly­owned CBS Television Network, owns 185 radio stations in its Infinity radio group, and has over 1,500 affiliated stations through its
CBS Radio Network. It produces feature films through Paramount Pictures, headed by Jewess Sherry Lansing (born Sherry Lee Heimann),
who is planning to retire at the end of 2005.

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Viacom was formed in 1971 as a way to dodge an anti­monopoly FCC ruling that
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off a part of its cable TV operations and syndicated programming business. This move by the
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remains the major problem with the industry. In 1999, after CBS had again augmented itself by buying2012 2013
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King World Productions (a leading TV program syndicator), Viacom acquired its progenitor company,
CBS, in a double mockery of the spirit of the 1971 ruling.

Redstone acquired CBS following the December 1999 stockholders' votes at CBS and Viacom. CBS
Television has long been headed by the previously mentioned Leslie Moonves; the other Viacom co­
president, Tom Freston, headed wholly­owned MTV.

Viacom also owns the Country Music Television and The Nashville Network cable channels and is the
largest outdoor advertising (billboards, etc.) entity in the U.S. Viacom's publishing division includes
Simon & Schuster, Scribner, The Free Press, Fireside, and Archway Paperbacks. It distributes videos
through its over 8,000 Blockbuster stores. It is also involved in satellite broadcasting, theme parks, and
video games.

Viacom's chief claim to fame, however, is as the world's largest provider of cable programming
through its Showtime, MTV, Nickelodeon, Black Entertainment Television, and other networks.
Since 1989 MTV and Nickelodeon have acquired larger and larger shares of the juvenile television
audience. MTV dominates the television market for viewers between the ages of 12 and 24.

Sumner Redstone owns 76 per cent of the shares of Viacom. He offers Jackass as a teen role model and pumps MTV's racially mixed rock
and rap videos into 342 million homes in 140 countries and is a dominant cultural influence on White teenagers around the world. MTV also
makes race­mixing movies like Save the Last Dance.

Nickelodeon, with over 87 million subscribers, has by far the largest share of the four­to­11­year­old TV audience in America and is expanding
rapidly into Europe. Most of its shows do not yet display the blatant degeneracy that is MTV's trademark, but Redstone is gradually nudging
the fare presented to his kiddie viewers toward the same poison purveyed by MTV. Nickelodeon continues a 12­year streak as the top cable
network for children and younger teenagers.

NBC Universal. Another Jewish media mogul is Edgar Bronfman, Jr. He headed Seagram Company,
Ltd., the liquor giant, until its recent merger with Vivendi. His father, Edgar Bronfman, Sr., is president
of the World Jewish Congress.

Seagram owned Universal Studios and later purchased Interscope Records, the foremost promoter of
"gangsta rap," from Warner. Universal and Interscope now belong to Vivendi Universal, which merged
with NBC in May 2004, with the parent company now called NBC Universal.

Bronfman became the biggest man in the record business in May 1998 when he also acquired control
of PolyGram, the European record giant, by paying $10.6 billion to the Dutch electronics manufacturer
Philips.

In June 2000, the Bronfman family traded Seagram to Vivendi for stock in Vivendi, and Edgar, Jr.
became vice chairman of Vivendi. Vivendi was originally a French utilities company, and was then led
by Gentile Jean­Marie Messier. A board of directors faction led by Bronfman forced Messier to resign
in July 2002.

Vivendi also acquired bisexual Jew Barry Diller's USA Networks in 2002. (Diller is the owner of
InterActive Corporation, which owns Expedia, Ticketmaster, The Home Shopping Network, Lending
Tree, Hotels.com, CitySearch, Evite, Match.com, and other Internet businesses.) Vivendi combined the
USA Network, Universal Studios, Universal Television, and theme parks into Vivendi Universal
Entertainment (VUE).

After the Vivendi­NBC merger, Bronfman used his considerable personal profits to strike out on his
own, and recently purchased Warner Music from Jewish­dominated Time Warner. The current
chairman of NBC Universal is a Gentile often associated with Jewish causes, long­time NBC
employee Bob Wright. Ron Meyer, a Jew, is president and chief operating officer of Universal Studios.
Stacey Snider, also Jewish, is the chairman of Universal Pictures. The president of NBC Universal
Television Group is Jeff Zucker, another Jew.

With two of the top four media conglomerates in the hands of Jews (Disney and Viacom), with Jewish executives running the media operations
of NBC Universal, and with Jews filling a large proportion of the executive jobs at Time Warner, it is unlikely that such an overwhelming degree
of control came about without a deliberate, concerted effort on the Jews' part.

Other media companies: Rupert Murdoch's News Corporation owns Fox Television Network, Fox News, the FX Channel, 20th Century Fox
Films, Fox 2000, and publisher Harper Collins. News Corp. is the fifth largest megamedia corporation in the nation, with 2003 revenues of
approximately $19.2 billion. It is the only other media company which comes close to the top four.

Its Fox News Channel has been a key outlet pushing the Jewish neoconservative agenda that lies behind the Iraq War and which animates
both the administration of George W. Bush and the "new conservatism" that embraces aggressive Zionism and multiracialism.

Murdoch is nominally a Gentile, but there is some uncertainty about his ancestry and he has vigorously supported Zionism and other Jewish
causes throughout his life. (Historian David Irving has published information from a claimed high­level media source who says that Murdoch's
mother, Elisabeth Joy Greene, was Jewish, but we have not been able to confirm this.) Murdoch's number two executive is Peter Chernin, who
is president and chief operating officer—and a Jew.

Under Chernin, Jews hold key positions in the company: Gail Berman runs Fox Entertainment Group; Mitchell Stern heads satellite television
division DirecTV; Jane Friedman is chairman and CEO of Harper Collins; and Thomas Rothman is chairman of Fox Filmed Entertainment.
News Corporation also owns the New York Post and TV Guide, and both are published under Chernin's supervision. The primary printed
neoconservative journal, The Weekly Standard, is also published by News Corporation and edited by William Kristol, a leading Jewish
neocon spokesman and "intellectual."

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Most of the television and movie production companies that
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are not owned by the large media corporations are also
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For example, Spyglass, an "independent" film producer which
has made such films as The Sixth Sense, The Insider, and
Shanghai Noon, is controlled by its Jewish founders Gary
Barber and Roger Birnbaum, who are co­chairmen. Jonathan
Glickman serves as president and Paul Neinstein is executive
vice president. Both men are Jews. Spyglass makes movies
exclusively for DreamWorks SKG.

The best known of the

smaller media
companies,
DreamWorks SKG, is
a strictly kosher affair.
DreamWorks was
formed in 1994 amid
great media hype by
recording industry
mogul David Geffen,
former Disney
Pictures chairman Jeffrey Katzenberg, and film director
Steven Spielberg, all three of whom are Jews. The company
produces movies, animated films, television programs, and
recorded music. Considering the cash and connections that
Geffen, Katzenberg, and Spielberg have, DreamWorks may
soon be in the same league as the big four.

One major studio, Columbia Pictures, is owned by the Japanese multinational firm Sony. Nevertheless, the studio's chairman is Jewess Amy
Pascal, and its output fully reflects the Jewish social agenda. Sony's music division recently merged with European music giant BMG to form
Sony BMG Music Entertainment, now one of the world's largest music distributors. It is headed by CEO Andrew Lack, formerly president and
CEO of NBC—and a Jew. Sony's overall American operations are headed by a Jew named Howard Stringer, formerly of CBS, who hired Lack.

It is well known that Jews have controlled most of the production and distribution of films since shortly
after the inception of the movie industry in the early decades of the 20th century. When Walt Disney
died in 1966, the last barrier to the total Jewish domination of Hollywood was gone, and Jews were
able to grab ownership of the company that Walt built. Since then they have had everything their way
in the movie industry.

Films produced by seven of the firms mentioned above—Disney, Warner Brothers, Paramount
(Viacom), Universal (NBC Universal), 20th Century Fox (News Corp.), DreamWorks, and Columbia
(Sony)—accounted for 94% of total box­office receipts for the year 2003.

The big three in television network broadcasting used to be ABC, CBS, and NBC. With the
consolidation of the media empires, these three are no longer independent entities. While they were
independent, however, each was controlled by a Jew since its inception: ABC by Leonard Goldenson;
NBC first by David Sarnoff and then by his son Robert; and CBS first by William Paley and then by
Laurence Tisch. Over several decades these networks were staffed from top to bottom with Jews, and
the essential Jewishness of network television did not change when the networks were absorbed by other Jewish­dominated media
corporations. The Jewish presence in television news remains particularly strong.

NBC provides a good example of this. The president of NBC News is Neal Shapiro. Jeff Zucker is NBC
Universal Television Group president. Reporting directly to Zucker is his close friend Jonathan Wald,
formerly an NBC program producer, now a senior consultant for CNBC. David M. Zaslav is president
of NBC Cable (and also a director of digital video firm TiVo Inc.). The president of MSNBC is Rick
Kaplan. All of these men are Jews.

A similar preponderance of Jews exists in the news divisions of the other networks. Sumner Redstone,
Tom Freston, and Les Moonves control Viacom's CBS. Moonves demonstrated his power in 2002 by
replacing the entire staff of the new CBS Early Show. He is also a great­nephew of Zionist leader
David Ben­Gurion, Israel's first prime minister. Al Ortiz (also a Jew) is executive producer and director
of special events coverage for CBS News. Senior executive producer Michael Bass and Victor
Neufeld (formerly producer of ABC's 20/20) produce the CBS Early Show; both are Jews.

At ABC, David Westin, who is a Jew according to Jeffrey Blankfort of the Middle East Labor Bulletin, is
the president of ABC News. The senior vice president for news at ABC is Paul Slavin, also a Jew.
Bernard Gershon, a Jew, is senior vice president/general manager of the ABC News Digital Media
Group, in charge of ABCNEWS.com, ABC News Productions, and ABC News Video Source.

The Print Media

After television news, daily newspapers are the most influential information medium in America. About
58 million of them are sold (and presumably read) each day. These millions are divided among some
1,456 different publications. One might conclude that the sheer number of different newspapers
across America would provide a safeguard against minority control and distortion. Alas, such is not the
case. There is less independence, less competition, and much less representation of majority interests than a casual observer would think.

In 1945, four out of five American newspapers were independently owned and published by local people with close ties to their communities.
Those days, however, are gone. Most of the independent newspapers were bought out or driven out of business by the mid­1970s. Today
most "local" newspapers are owned by a rather small number of large companies controlled by executives who live and work hundreds or
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even thousands of miles away. Today less than 20 percent of the country's 1,456
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independently owned; the rest belong to multi­newspaper chains. Only 103 of the total number have
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staffs outside their own communities; the rest must depend on these few for all of their national and 2012 2013
28 abr 99 ­ 16 nov 16
international news.

The Associated Press (AP), which sells content to newspapers, is currently under the control of its
Jewish vice president and managing editor, Michael Silverman, who directs the day­to­day news
reporting and supervises the editorial departments. Silverman had directed the AP's national news as
assistant managing editor, beginning in 1989. Jewess Ann Levin is AP's national news editor.
Silverman and Levin are under Jonathan Wolman, also a Jew, who was promoted to senior vice
president of AP in November 2002.

In only two per cent of the cities in America is there more than one daily newspaper, and competition
is frequently nominal even among them, as between morning and afternoon editions under the same
ownership or under joint operating agreements.

Much of the competition has disappeared through the

monopolistic tactics of the Jewish Newhouse family's holding
company, Advance Publications. Advance publications buys
one of two competing newspapers, and then starts an
advertising war by slashing advertising rates, which drives
both papers to the edge of bankruptcy. Advance Publications
then steps in and buys the competing newspaper. Often both
papers continue: one as a morning paper and the other as an evening paper. Eventually, though, one
of the papers is closed—giving the Newhouse brothers the only daily newspaper in that city. For
example, in 2001 the Newhouses closed the Syracuse Herald­Journal leaving their other Syracuse
newspaper, the Post­Journal, with a monopoly.

The Newhouse media empire provides an example of more than the lack of real competition among
America's daily newspapers: it also illustrates the insatiable appetite Jews have shown for all the
organs of opinion control on which they could fasten their grip. The Newhouses own 31 daily
newspapers, including several large and important ones, such as the Cleveland Plain Dealer, the
Newark Star­Ledger, and the New Orleans Times­Picayune; Newhouse Broadcasting, consisting of
television stations and cable operations; the Sunday supplement Parade, with a circulation of more
than 35 million copies per week; some two dozen major magazines, including The New Yorker,
Vogue, Wired, Glamour, Vanity Fair, Bride's, Gentlemen's Quarterly, Self, House & Garden, and all the
other magazines of the wholly­owned Conde Nast group. The staffing of the magazines is, as you
might expect, quite Kosher. Parade can serve as an example: Its publisher is Randy Siegel, its editor
and senior vice president is Lee Kravitz, its creative director is Ira Yoffe, its science editor is David H.
Levy, and its health editor is Dr. Isadore Rosenfeld.

This Jewish media empire was founded by the late Samuel Newhouse, an immigrant from Russia.
When he died in 1979 at the age of 84, he bequeathed media holdings worth an estimated $1.3 billion
to his two sons, Samuel and Donald. With a number of further acquisitions, the net worth of Advance
Publications has grown to more than $9 billion today. The gobbling up of so many newspapers by the
Newhouse family was facilitated by newspapers' revenue structure. Newspapers, to a large degree,
are not supported by their subscribers but by their advertisers. It is advertising revenue—not the small
change collected from a newspaper's readers—that largely pays the editor's salary and yields the
owner's profit. Whenever the large advertisers in a city choose to favor one newspaper over another
with their business, the favored newspaper will flourish while its competitor dies. Since the beginning
of the last century, when Jewish mercantile power in America became a dominant economic force,
there has been a steady rise in the number of American newspapers in Jewish hands, accompanied
by a steady decline in the number of competing Gentile newspapers—to some extent a result of
selective advertising policies by Jewish merchants.

Furthermore, even those newspapers still under Gentile ownership and management are so
thoroughly dependent upon Jewish advertising revenue that their editorial and news reporting
policies are largely constrained by Jewish likes and dislikes. It holds true in the newspaper business
as elsewhere that he who pays the piper calls the tune.

Three Jewish Newspapers

The suppression of competition and the establishment of local monopolies on the dissemination of news and opinion have characterized the
rise of Jewish control over America's newspapers. The resulting ability of the Jews to use the press as an unopposed instrument of Jewish
policy could hardly be better illustrated than by the examples of the nation's three most prestigious and influential newspapers: the New York
Times, the Wall Street Journal, and the Washington Post. These three, dominating America's financial and political capitals, are the
newspapers that set the trends and the guidelines for nearly all the others. They are the ones that decide what is news and what isn't at the
national and international levels. They originate the news; the others merely copy it. And all three newspapers are in Jewish hands.

The New York Times, with a 2003 circulation of 1,119,000, is the unofficial social, fashion, entertainment, political, and cultural guide of the
nation. It tells America's "smart set" which books to buy and which films to see; which opinions are in style at the moment; which politicians,
educators, spiritual leaders, artists, and businessmen are the real comers. And for a few decades in the 19th century it was a genuinely
American newspaper.

The New York Times was founded in 1851 by two Gentiles, Henry J. Raymond and George Jones. After their deaths, it was purchased in 1896
from Jones's estate by a wealthy Jewish publisher, Adolph Ochs. His great­great­grandson, Arthur Sulzberger, Jr., is the paper's current
publisher and the chairman of the New York Times Co. Russell T. Lewis, also a Jew, is president and chief executive officer of The New York
Times Company. Michael Golden, another Jew, is vice chairman. Martin Nisenholtz, a Jew, runs their massive Internet operations.

The Sulzberger family also owns, through the New York Times Co., 33 other newspapers, including the Boston Globe, purchased in June
1993 for $1.1 billion; eight TV and two radio broadcasting stations; and more than 40 news­oriented Web operations. It also publishes the
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International Herald Tribune, the most widely distributed English­language daily in the world. The New York Times News
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news stories, features, and photographs from the New York Times by wire to 506 other newspapers, news agencies, and magazines.
362 captures 18
Of similar national importance is ­the
28 abr 99 Washington
16 nov 16 Post, which, by establishing its "leaks" throughout government agencies in Washington, has2012 2013
an inside track on news involving the Federal government.

The Washington Post, like the New York Times, had a non­Jewish origin. It was established in 1877 by Stilson Hutchins, purchased from him
in 1905 by John R. McLean, and later inherited by Edward B. McLean. In June 1933, however, at the height of the Great Depression, the
newspaper was forced into bankruptcy. It was purchased at a bankruptcy auction by Eugene Meyer, a Jewish financier and former partner of
the infamous Bernard Baruch, a Jew who was industry czar in America during the First World War. The Washington Post was run by Katherine
Meyer Graham, Eugene Meyer's daughter, until her death in 2001. She was the principal stockholder and board chairman of the Washington
Post Company; and she appointed her son, Donald Graham, publisher of the paper in 1979. Donald became Washington Post Company CEO
in 1991 and its board chairman in 1993, and the chain of Jewish control at the Post remains unbroken. The newspaper has a daily circulation
of 732,000, and its Sunday edition sells over one million copies.

The Washington Post Company has a number of other media holdings in newspapers (the Gazette Newspapers, including 11 military
publications); in television (WDIV in Detroit, KPRC in Houston, WPLG in Miami, WKMG in Orlando, KSAT in San Antonio, WJXT in
Jacksonville); and in magazines, most notably the nation's number­two weekly newsmagazine, Newsweek.

The Washington Post Company's various television ventures reach a total of about 12 million homes, and its cable TV service, Cable One, has
750,000 subscribers.

The Wall Street Journal sells 1,820,000 copies each weekday and is owned by Dow Jones & Company, Inc., a New York corporation that also
publishes 33 other newspapers and the weekly financial tabloid Barron's. The chairman and CEO of Dow Jones is Peter R. Kann, who is a
Jew. Kann also holds the posts of chairman and publisher of the Wall Street Journal.

Most of New York's other major newspapers are in no better hands than the New York Times and the Wall Street Journal. In January 1993 the
New York Daily News (circulation 729,000) was bought from
the estate of the late Jewish media mogul Robert Maxwell
(born Ludvik Hoch) by Jewish real­estate developer Mortimer
B. Zuckerman. Another Jew, Les Goodstein, is the president
and chief operating officer of the New York Daily News. And,
as mentioned above, the neocon­slanted New York Post
(circulation 652,000) is owned by News Corporation under
the supervision of Jew Peter Chernin.

News Magazines

The story is much the same for other media as it is for

television, radio, films, music, and newspapers. Consider, for
example, newsmagazines. There are only three of any
importance published in the United States: Time, Newsweek,
and U.S. News & World Report.

Time, with a weekly circulation of 4.1 million, is published by a

subsidiary of Time Warner Communications, the news media
conglomerate formed by the 1989 merger of Time, Inc., with
Warner Communications. The editor­in­chief of Time Warner
Communication is Norman Pearlstine, a Jew.

Newsweek, as mentioned above, is published by the

Washington Post Company, under the Jew Donald Graham. Its weekly circulation is 3.2 million.

U.S. News & World Report, with a weekly circulation of 2.0 million, is owned and published by the aforementioned Mortimer B. Zuckerman,
who also has taken the position of editor­in­chief of the magazine for himself. Zuckerman also owns New York's tabloid newspaper, the Daily
News, which is the sixth­largest paper in the nation.

Our Responsibility

Those are the facts of media control in America. Anyone willing to spend a few hours in a large library looking into current editions of
yearbooks on the radio and television industries and into directories of newspapers and magazines; into registers of corporations and their
officers, such as those published by Standard and Poors and by Dun and Bradstreet; and into standard biographical reference works can
verify their accuracy. They are undeniable. When confronted with these facts, Jewish spokesmen customarily will use evasive tactics. "Ted
Turner isn't a Jew!" they will announce triumphantly, as if that settled the issue. If pressed further they will accuse the confronter of "anti­
Semitism" for even raising the subject. It is fear of this accusation that keeps many persons who know the facts silent.

But we must not remain silent on this most important of issues. The Jewish control of the American mass media is the single most important
fact of life, not just in America, but in the whole world today. There is nothing—plague, famine, economic collapse, even nuclear war—more
dangerous to the future of our people.

Jewish media control determines the foreign policy of the United States and permits Jewish interests rather than American interests to decide
questions of war and peace. Without Jewish media control, there would have been no Persian Gulf war, for example. There would have been
no NATO massacre of Serb civilians. There would have been no Iraq War, and thousands of lives would have been saved. There would have
been little, if any, American support for the Zionist state of Israel, and the hatreds, feuds, and terror of the Middle East would never have been
brought to our shores.

By permitting the Jews to control our news and entertainment media we are doing more than merely giving them a decisive influence on our
political system and virtual control of our government; we also are giving them control of the minds and souls of our children, whose attitudes
and ideas are shaped more by Jewish television and Jewish films than by parents, schools, or any other influence.

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The Jew­controlled entertainment media have taken the lead in persuading a whole generation that homosexuality is aGo
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acceptable way of life; that there is nothing at all wrong with White women dating or marrying Black men, or with White men marrying Asian
women; that all races are inherently
362 capturesequal in ability and character—except that the character of the White race is suspect because of a history 18
of oppressing other races;28and that
abr 99 ­ 16any effort by Whites at racial self­preservation is reprehensible.
nov 16 2012 2013

We must oppose the further spreading of this poison among our people, and we must break the power of those who are spreading it. It would
be intolerable for such power to be in the hands of any alien minority with values and interests different from our own. But to permit the Jews,
with their 3,000­year history of nation­wrecking, from ancient Egypt to Russia, to hold such power over us is tantamount to race suicide.
Indeed, the fact that so many White Americans today are so filled with a sense of racial guilt and self­hatred that they actively seek the death of
their own race is a deliberate consequence of Jewish media control.

Once we have absorbed and understood the fact of Jewish media control, it is our inescapable responsibility to do whatever is necessary to
break that control. We must shrink from nothing in combating this evil power that has fastened its deadly grip on our people and is injecting its
lethal poison into our people's minds and souls. If our race fails to destroy it, it certainly will destroy our race.

Media of Our Own

A growing number of White Americans are working to build new media not under Jewish control. National Vanguard Books, the publisher of
this pamphlet, also publishes its own full­color magazine of news, thought, and opinion, National Vanguard, a sample of which is available
from the address below for $5 in the U.S. and Canada, $8 elsewhere. We also operate a news and comment Web site, updated several times
daily, at NationalVanguard.org; and a weekly radio program, American Dissident Voices. The program itself and a broadcast schedule are
available at natvan.com and NationalVanguard.org or by writing to the address below. It is vital that we support our own alternative media.

The National Alliance, parent organization of National Vanguard Books, is a membership organization of activists working for White interests
and helping to build and fund our new media. For further information on Alliance membership, write to P.O. Box 90, Hillsboro WV 24946 USA.

Copies of this article in booklet form may be ordered from National Vanguard Books, P.O. Box 330, Hillsboro, WV 24946 USA. 10 copies, $6.
25 copies, $9. 100 copies, $20. 1000 copies, $154. Prices include postage. Our book catalogue, listing over 600 books, videos, and audio
recordings, is available for $3 postpaid.

This document is also available in an Adobe PDF version.

All contents copyright ©2004 National Vanguard Books, Inc. Media owners, managers, and corporate relationships change from time to time,
of course. All of the names and other data in this report, except where otherwise noted, are accurate as of November 2004.

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