La Terra Trema

In 1947, in Sicily near Catania, the fishermen in Aci Trezza have been exploited by generations by the local middlemen. The young 'Ntoni Valastro rebels against the economical situation of his poor family and convinces the Valastro to mortgage their simple house in the Fidania Bank in Catania to buy a fish boat of their own and never work again for the wholesalers. In a stormy day, he decides to fish due to the necessity of repaying the debt to the bank; however, the storm destroys his boat and the dream of his family. Without any support and job, 'Ntoni sees the disintegration of his outcast family.

"La Terra Trema: Episodio del Mare" is a heartbreaking, bitter and cruel story of a family of fishermen that decides to change their poor economical situation facing the powerful exploiters. The Marxist "Red Count" Luchino Visconti directs and narrates this little masterpiece of the Italian Neo-Realism casting non-professional actors and actresses, actually fishermen and inhabitants of Aci Trezza. The abusive treatment of the greedy and idle wholesalers gives an idea of how workers were exploited in this period of history and the reason for the ideological fight of classes between Communism and Capitalism. In Brazil, this film was released on DVD by Versátil Distributor. My vote is nine.

Title (Brazil): "A Terra Treme" ("The Earth Shakes")

1. This movie is likely to excruciate those who are not used to reading fast, because the images are too great to be sacrificed for subtitles. Even most of the Italian-speaking people have a hard time understanding this Sicilian accent.

2. The other reason why La terra trema is found boring by many is that reality matters much more than drama to the neorealist director Luchino Visconti. So the audience shouldn't be passive while seeing some real lives going on, that is the only way to feel engaged.

3. The most notable advantage of the movie comes to attention right here. It is touching without bending over backwards for that purpose. You can feel connected to it and at the same time wonder where all that connection comes from. (The movie does not try hard to make you feel this way) It shakes your deepest emotions simply because all it has to do with is the reality of a human society, and also with the real nature for that matter.

4.Another important point here is Visconti doesn't let the fact that he believes in Socialism affect the reality of what he is portraying. The hammer and sickle on the wall in no way seems anything other than part of a neutral report. He reminds us of those journalists who succeed in providing us with an unbiased report regarding a massively resented dictator when we are pretty sure the journalist hates the dictator as much as we do.

5. All in all this is a great picture , of course it requires active audience who know what they want to get from the almost sheer reality pictured.

This moving slice of life has several acts and moves like an opera, but the scenes are "neo-realistic" in the best sense.

All of Visconti's actors are from the Sicilian fishing village, but they were not acting--just portraying their lives. You care about these real people!

Family is everything--and it survives despite the buffeting by the storms, the stranglehold of the oligarchical wholesalers, and shortsightedness of the townspeople. We see the exploitation of the fishermen vividly and how most accept it as "God's will."

It also brings to mind the old joke: What is the difference between capitalism and communism? Capitalism is the exploitation of man by man, and communism is just the reverse.

Although it was supposed to be a documentary, Visconti put in a slight story line to achieve what a documentary would have done, AND MORE. --He used no professional actors, just native Sicilian fishermen, and other villagers, to play all parts. -- The film uses no artificial lighting, no sound enhancement, sound-effects, or dubbing. -- It was filmed on location in, and around, the crumbling homes of the poor villagers, and it was recorded in the Sicilian dialect (rather than proper Italian), and although it has a documentary "look", Visconti shows the exploitation of the poor by the capitalist middlemen so much more effectively than any documentary could have done.

-- Also, while not the first neo-realist film of that post-war Italian genre, this was the first film to be described by the term: "neo-realist". --A brilliant film on all counts. I rated it "10".

I saw this movie Friday night on TCM. I'd never heard of it, but I'm a neorealismo fan, so I watched. I'm sorry I didn't tape it, what an epic! Like "The bicycle thief," this movie uses real people, and almost feels like a documentary at times. I agree that the sentiments are rather marxist, but I have to admit that if I lived as these people do, I might be drawn to communism, too. There are some subtle (or maybe not so subtle) references to the politics of the times, wall posters about Mussolini and the hammer and sickle images painted on the walls. Oddly, this movie reminded me somewhat of "Man of Aran," the images are that stark, life is that bleak. The film is beautifully shot, and the story is wrenching. Watch it if you get the opportunity. It memorializes a way of life that is gone, and I'll bet there's not a single person who misses it.